Symbols, Theory & History
The Principle of Polarity
The principle of polarity is the fourth of the seven Hermetic principles as presented in The Kybalion, stating that everything has its opposite, that opposites are in fact the same in nature but different in degree, and that the same law governs all apparent dualities from temperature to mental states.
The principle of polarity states that everything in existence has its opposite, and that these apparent opposites are not separate things but the two poles of a single continuum. Hot and cold, light and dark, love and hate, expansion and contraction: these are not opposite substances but positions on the same scale, differing in degree but identical in kind. This principle, presented as the fourth of seven Hermetic axioms in The Kybalion (1908), is one of the most practically applicable ideas in the Western esoteric tradition.
The significance for magical practice follows directly: if opposites are the same thing at different degrees of expression, then the movement from one pole to the other is possible, and this movement is what Hermetic tradition calls mental alchemy or transmutation. The practitioner who understands polarity understands that fear and courage are the same energy differently oriented, and that the conscious redirection of that energy is a genuine possibility rather than a figure of speech.
History and origins
The philosophical idea that apparent opposites are in some fundamental sense unified has a long history. Heraclitus of Ephesus (c. 535-475 BCE) argued that opposites are one, that day and night, summer and winter, war and peace are all expressions of a single underlying logos. The statement “the way up and the way down are one and the same” is attributed to him and captures the polarity principle exactly.
Plato’s dialogues, particularly the Phaedo and the Symposium, contain discussions of opposites that influenced Neoplatonic thought. The Neoplatonic concept of the One generating all multiplicity through a process that includes the complementary play of limit and unlimitedness is a philosophical ancestor of the polarity principle.
In the Hermetic corpus, the texts attributed to Hermes Trismegistus emphasise the interplay of opposites throughout the cosmos. The Tabula Smaragdina (Emerald Tablet), the most famous Hermetic text, expresses the correspondence between above and below, heaven and earth, as a foundational principle, and this correspondence implies polarity in the sense of complementary opposites that mirror each other.
The Kybalion, published in 1908 under the authorship of “Three Initiates,” has been convincingly attributed by scholar Philip Deslippe to William Walker Atkinson, a prolific New Thought writer who also published under the names Yogi Ramacharaka and Theron Q. Dumont. The Kybalion presents seven “Hermetic principles” as ancient teachings, but the system it describes is largely a synthesis of New Thought philosophy, which was itself rooted in 19th-century American metaphysical culture. The attribution to ancient Hermes does not reflect documented historical lineage. This context matters for intellectual honesty; it does not reduce the usefulness of the principles as practical tools.
Polarity as an operative concept in magic also appears in the Tantric traditions of India and Tibet, where the dynamic interaction between Shiva (consciousness) and Shakti (energy) is the generative engine of creation, and in Chinese cosmology through yin and yang. These parallels suggest that the polarity principle captures something genuinely important about the structure of experience, even where the specific cultural frameworks differ.
In practice
The primary application of the polarity principle in the Kybalion system is called mental transmutation: the deliberate shifting of one’s mental state from an unwanted pole toward the desired one by conscious recognition that both poles exist on the same scale. Courage and fear share the same substrate; directing attention and will toward the courageous pole, and understanding that doing so is not a suppression of the other pole but a movement along the same continuum, makes the transmutation more effective than simple resistance.
This is the mechanism behind many affirmation-based practices, although the Kybalion frames it more dynamically: the practitioner is not simply repeating positive statements but actively transmuting a mental state through understanding its nature and consciously shifting it.
In ceremonial magic and Wiccan practice, polarity is worked with differently. The polarity between priest and priestess, or between the invoking and banishing modes of working, is understood as a creative tension that generates power. The drawing down of divine force often works through complementary pairs: the High Priestess drawing down the Goddess, the High Priest drawing down the God, with the polarity between the two positions generating a field of magical charge.
In elemental work, polarity appears in the complementary pairs: Fire and Water, Earth and Air. These are not opposing forces to be resolved into sameness but complementary principles whose interaction generates the conditions for manifestation.
A complementary view
The limitation of the Kybalion’s formulation is that it tends to present polarity as primarily a matter of degree on a single axis, which works well for temperatures and mental states but is less adequate for some of the deeper complementarities in magical cosmology. The relationship between Chokhmah and Binah on the Kabbalistic Tree of Life, or between the active and receptive principles in Taoist cosmology, suggests a polarity that is generative rather than merely scalar: not hot-and-cold on one axis but two principles whose interaction produces something neither contains alone.
The most sophisticated practitioners work with both models: polarity as a scale (for transmutation of mental states) and polarity as a generative complementarity (for invocatory and creative work). Together they give a practitioner a complete working vocabulary for the play of opposites in both inner and outer magical work.
In myth and popular culture
The principle of polarity as structural unity of opposites has roots in ancient philosophy that predate the Kybalion by more than two thousand years. Heraclitus of Ephesus, whose fragments are among the oldest pieces of Greek philosophical writing, stated explicitly that “the way up and the way down are one and the same,” and that opposites are not merely associated but identical in their nature. His influence on Plato, the Stoics, and through them the Neoplatonists created the long philosophical lineage that eventually reached the Hermetic writers.
In alchemical iconography, polarity is everywhere. The Rebis, the hermaphroditic figure representing the perfected outcome of the Great Work, combines the solar Red King and the lunar White Queen into a single form that holds both poles simultaneously. Michael Maier’s Atalanta Fugiens (1617), one of the most beautifully illustrated alchemical works, depicts this union through a series of emblems whose imagery has influenced artists, poets, and occultists from the seventeenth century to the present.
In Wicca as shaped by Gerald Gardner and Doreen Valiente, the polarity of God and Goddess provides the primary mythological framework for the Wheel of the Year. Each Sabbat enacts a different phase of the relationship between the divine masculine and feminine principles, with the full polarity engaged at Beltane in the sacred marriage and at Samhain in the god’s death and the goddess’s grief and sovereignty. This structure gave twentieth-century Wicca a narrative coherence that contributed significantly to its spread.
In popular culture, the Star Wars concept of the Force presents a version of polarity: the light and dark sides are presented initially as absolute opposites but later films in the saga, particularly the sequel trilogy, complicate this into something closer to the Hermetic model, with balance between poles as the goal rather than the victory of one over the other.
Myths and facts
Several misunderstandings about the principle of polarity in magickal practice deserve direct correction.
- The claim that the Kybalion preserves ancient Hermetic teaching transmitted through a secret lineage is not supported by historical evidence. Scholar Philip Deslippe’s research has established that the text was written by William Walker Atkinson in 1908; the ancient attribution is a literary convention of the period rather than a documented historical lineage.
- The polarity principle is sometimes applied in Wiccan contexts to argue that male-female pairs are necessary for effective ritual. This is a traditional interpretation within some specific traditions but is not a universal requirement of the principle itself; what the principle requires is the engagement of projective and receptive modes, which any practitioner or pair can embody regardless of sex.
- Polarity is occasionally confused with dualism. Dualism holds that two fundamental principles are in irreducible opposition; polarity holds that apparent opposites are two ends of a single continuum. These are structurally different positions with very different practical implications.
- The transmutation of emotional states through polarity awareness is sometimes presented as a quick technique for eliminating unwanted feelings. The Kybalion describes it as a skill that must be developed over time through consistent practice; it is not a thought exercise that produces instant results.
- Some practitioners apply the polarity principle to conclude that harmful magical acts are balanced by helpful ones and therefore morally neutral. The principle makes a descriptive claim about how spectra work, not a prescriptive claim about ethical balance; questions of magickal ethics require their own analysis rather than being resolved by the structural observation that opposites are poles of a continuum.
People also ask
Questions
What is the principle of polarity according to the Kybalion?
The Kybalion states that everything is dual, that everything has poles, and that opposites are identical in nature but different in degree. Hot and cold are the same thing, measured on the same scale; love and hate are the same emotion in different intensities. The practical corollary is that the transmutation of one pole into the other is possible through the same mechanism.
Where did the Kybalion come from?
The Kybalion was published in 1908 by the Yogi Publication Society under the authorship of "Three Initiates," long assumed to be William Walker Atkinson writing alone or with collaborators. It presents itself as a summary of ancient Hermetic wisdom but is largely a New Thought synthesis of the late 19th century, not an ancient text. This does not diminish its practical value, but its origins should be understood honestly.
How does polarity work in magical practice?
Practitioners use the principle of polarity to shift between states: transforming fear into courage, hatred into love, stagnation into motion, by recognising that the two poles are not separate realities but positions on a single scale. The mental alchemy described in the Kybalion consists of consciously sliding along the scale from one pole toward the other.
How does the principle of polarity relate to yin and yang?
The Chinese concept of yin and yang shares the Hermetic principle's core insight: apparent opposites are complementary aspects of a single reality, each containing the seed of the other. The specific applications and cosmological frameworks differ significantly between the traditions, but the structural parallel is real and has been noted by comparative philosophers.
Is polarity used in Wicca and contemporary witchcraft?
Yes. Polarity, understood as the dynamic tension between masculine and feminine principles (often embodied by a priest and priestess or by God and Goddess), is central to many Wiccan traditions. Contemporary practice varies considerably: some traditions work with binary polarity, others with a more fluid understanding of complementary forces that does not require gender.